Some brief reviews
Jun. 28th, 2010 02:00 pmWorld's Greatest Dad
Robin Williams stars as a put-upon high school teacher whose sputtering literary career goes into overdrive after his son dies, despite his lack of any discernible talent. This explains the working title, Jeph Loeb: A Life In Pictures. But seriously, while I appreciate that it's a dark comedy and it does go THERE, I think the same observations and insights were made by Heathers in a much shorter amount of time, much more incisively, and (this is key) much funnier. I don't think there's any real funny line from this I could quote. So while I can appreciate the effort it took by the filmmakers and Williams to make you sympathize with a character even as he becomes James Frey (pretty much), if you're interested in this, I'd recommend you watch Heathers instead.
Big Fan
It's a movie from the writer of The Wrestler, and it can only suffer in comparison. The thing is, The Wrestler made you sympathize and care about a character who got his jollies being smashed in the head with a plate of glass for a audience of rednecks. Big Fan can't make you sympathize with a guy who likes football.
It's the story of... some guy... played by Patton Oswalt, who is a huge fan of the New York Giants. The movie takes an interesting tack in that, instead of making him clever or witty or gregarious, it just spends the entire runtime talking about what a pathetic dumbfuck he is. That's kind of an interesting choice. IMDB says that it's a Comedy Crime Drama Sport movie, which is another interesting choice. Comedies work by making fun of the protagonist, while dramas work by making you feel sorry for the protagonist. So, interesting that they want you to think that the protagonist is a complete schmuck (and he is) while also finding it amusing that he's a complete schmuck. I'm just saying, there are a thousand ways to make a character sympathetic, and the movie doesn't use any of them. You've got Patton Oswalt, one of the funniest guys in comedy, and he doesn't tell any jokes. Like I said. Interesting.
So some stuff happens to Patton Oswalt's character and as it turns out, he's a complete schmuck. Very little conflict, growth, or revelation leads to this conclusion. I get that he hates change (because every so often someone asks him to try something new and he yells at them), but that's a kind of flimsy subject to hang a movie on. Two hours of a guy not changing. Maybe it would've worked better as a short film, so it could get to the punchline and move on, because there's literally a scene where, after Oswalt's told a cop he can't remember anything, he calls him up and meets with him and says "I still can't remember anything." So, while the movie makes me buy that a person like Patton Oswalt's character could exist, it never convinces me that it would be a good idea to make a movie about him.
True Blood: Season 3
( Spoilers. )
Robin Williams stars as a put-upon high school teacher whose sputtering literary career goes into overdrive after his son dies, despite his lack of any discernible talent. This explains the working title, Jeph Loeb: A Life In Pictures. But seriously, while I appreciate that it's a dark comedy and it does go THERE, I think the same observations and insights were made by Heathers in a much shorter amount of time, much more incisively, and (this is key) much funnier. I don't think there's any real funny line from this I could quote. So while I can appreciate the effort it took by the filmmakers and Williams to make you sympathize with a character even as he becomes James Frey (pretty much), if you're interested in this, I'd recommend you watch Heathers instead.
Big Fan
It's a movie from the writer of The Wrestler, and it can only suffer in comparison. The thing is, The Wrestler made you sympathize and care about a character who got his jollies being smashed in the head with a plate of glass for a audience of rednecks. Big Fan can't make you sympathize with a guy who likes football.
It's the story of... some guy... played by Patton Oswalt, who is a huge fan of the New York Giants. The movie takes an interesting tack in that, instead of making him clever or witty or gregarious, it just spends the entire runtime talking about what a pathetic dumbfuck he is. That's kind of an interesting choice. IMDB says that it's a Comedy Crime Drama Sport movie, which is another interesting choice. Comedies work by making fun of the protagonist, while dramas work by making you feel sorry for the protagonist. So, interesting that they want you to think that the protagonist is a complete schmuck (and he is) while also finding it amusing that he's a complete schmuck. I'm just saying, there are a thousand ways to make a character sympathetic, and the movie doesn't use any of them. You've got Patton Oswalt, one of the funniest guys in comedy, and he doesn't tell any jokes. Like I said. Interesting.
So some stuff happens to Patton Oswalt's character and as it turns out, he's a complete schmuck. Very little conflict, growth, or revelation leads to this conclusion. I get that he hates change (because every so often someone asks him to try something new and he yells at them), but that's a kind of flimsy subject to hang a movie on. Two hours of a guy not changing. Maybe it would've worked better as a short film, so it could get to the punchline and move on, because there's literally a scene where, after Oswalt's told a cop he can't remember anything, he calls him up and meets with him and says "I still can't remember anything." So, while the movie makes me buy that a person like Patton Oswalt's character could exist, it never convinces me that it would be a good idea to make a movie about him.
True Blood: Season 3