Nov. 18th, 2008

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Watchmen - The job of a movie adaptation is to distill a novel, play, or comic book which can be thousands of pages (or in the case of a long-running character like Superman of Spider-Man, decades of canon) long into a movie that will generally run more toward an hour and a half than three hours. Then a trailer further has to distill that movie into a spot of about two minutes, designed to force this movie into the forefront of the audience's minds while also not giving away too much.

Think of it as Spider-Man's organic webshooters or the X-Men's black leather uniforms writ very, very large. The job of Hollywood is to make cool things that are generally only cool within the subculture of comics. Then you get something like Watchmen whose job is to point out how uncool it is.

So what happens, when Watchmen the graphic novel is condensed into Watchmen the movie and that's further condensed into Watchmen the movie trailer to make a population of people who have (this is the important part) never heard of Alan Moore or Watchmen go see it... is this.

Normal people: Hmmm, this looks interesting. I might go see that if the reviews are good.

Watchmen fans: Oh my god, I always imagined Rorschach as having the voice of Ethel Mermen! THANKS FOR NOT READING MY MIND AND TRANSLATING IT TO THE SCREEN, ZACH SNYDER! AND THANKS FOR RAPING MY CHILDHOOOD YOUNG ADULTHOOD!

In fact, while normal people see concepts and characters that are supposed to be dorky and just look cool, they only process this as cool. But when Watchmen fans don't hear lines like "The Crimebusters are disbanded! Clearly, the Magical Ziggurat of Johnnyville is behind this! Quick, daddy-o, to the brigand bash!", it somehow becomes less cool than the dorky thing that was never supposed to become cool. Thus, in trying to get across the cool parts of the story instead of producing a more technically honest trailer that would have audiences rolling in the aisles, the trailer becomes this to Watchmen fans...



Adrian: Ja, herr secretary general, I vill detonate un atomic varhead... unless you give me... one meeeeluyon dollars!



Rorschach: I don't think so, Veidt. How about some ice for that BURN!?



Chris Tucker: (below frame) Aww hell no! It ain't enough we got the white man on our back, now the blue man's starting in on us! Fuck this Smurf bullshit!



Laurie: Don't think your manly and impetuous charms will work on me, Comedian. You don't play by the rules. I could never love a man with your blatant disregard for authority, just because you get results!



Comedian: Yeah, it's a shame you can't heal the scars left when Veidt murdered my wife. That was his first mistake. His second was kidnapping my baby girl. Now he's going to pay... big time.



Veidt: Really? I think you will have a hard time getting to me... in my Mega-Fortress!



Jason Statham: Oy! Did I 'ear someone call for the Night-Owl? Hoot, motherfucker!
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So the trailer to Star Trek 11 (sorry, Star Trek) came out and it actually looks pretty good, up until the second half where the Enterprise apparently jumps into the space battle at the beginning of Revenge of the Sith and/or a pitched dog-fight against the Cylons. So what worries me? Well, for starters.

1. It's a reboot about a young Captain Kirk.

2. It's set at Starfleet Academy, which everyone and their mother has suggested for a Star Trek story.

3. Kirk and Spock meet and don't like each other, but become friends (presumably after their fistfight).

Put those together and you've got a trifecta of anti-creativity, sorta like a mirror universe Jack Kirby. Normally the presence of J.J. Abrams would assuage those fears, but he abuses ass-pulles like Claremont abuses run-on sentences (bub). You wouldn't think this would be a problem in a two-hour, standalone movie, but...

Cloverfield hype machine: Hey, what's the monster? Hey, what's the monster? Hey, what's the monster?

Me: I give up, what is the monster?

Cloverfield hype machine: Why do you care? It's just a monster. Why the hell are you talking to me!?

And remember his Superman script? I'm not too excited about his contributions to the Star Trek mythos when his contributions to the Superman mythos were a) Krypton doesn't blow up, b) Superman knows kung-fu, and c) Lex Luthor is a CGI agent. Who is a Kryptonian. Who knows kung-fu.

Remember? The script so bad that the response to it actually shut down production on the movie?

Please be good, Star Trek. Pretty please?

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