Alright, as a comics fan, I guess I'm obliged to do a post decrying Watchmen 2: Before Watchmen. I don't know, it's not that much a leap from a movie to prequels, and badmouthing the movie seems to me a little more on the "Alan Moore is a smelly hippie" side than "Alan Moore has a point." I mean, it was basically a multimillion dollar fan film.
The bigger issue is what it says about DC that they'd rather revisit Watchmen then try to make the next Watchmen. Part of it, I'm sure, is that if you want superhero deconstruction and attacks on conservative politics, that's pretty much been superhero comics for the past ten years, just with George W. in the place of Richard Nixon. And when, say, Mark Waid does a comic about expies of Superman and the Justice League, Irredeemable, the only larger message is "comic fans are mean!" So we're in a weird place where DC lacks both the ambition and the editorial support to throw its weight behind anything other than more Green Lantern shit. And that goes for Marvel as well (I have no idea what anyone was trying to do with Civil War). Even as "auteur" writers like Grant Morrison and Mark Millar gain power, they're using it to play in their sandbox. A lot of creators want to make the comics equivalent of The Rock; there's nothing wrong with that, but if you want another Watchmen, you have to try to make Drive (I was going to say something about how Drive uses nudity and violence as opposed to most comics, but that's a whole 'nother post).
In fact, the last attempt I'm really aware of was Superman: Power-Walking, which was A. Shit and B. more concerned with what the plot said about the character of Superman than what the character of Superman said about the plot, if you get my drift. There's not a lot of "oh, a thing's happening in Somalia, I can use the character of Superman to express an opinion" so much as "here's something I can say about Superman: he really hates it when people he likes die."
The bigger issue is what it says about DC that they'd rather revisit Watchmen then try to make the next Watchmen. Part of it, I'm sure, is that if you want superhero deconstruction and attacks on conservative politics, that's pretty much been superhero comics for the past ten years, just with George W. in the place of Richard Nixon. And when, say, Mark Waid does a comic about expies of Superman and the Justice League, Irredeemable, the only larger message is "comic fans are mean!" So we're in a weird place where DC lacks both the ambition and the editorial support to throw its weight behind anything other than more Green Lantern shit. And that goes for Marvel as well (I have no idea what anyone was trying to do with Civil War). Even as "auteur" writers like Grant Morrison and Mark Millar gain power, they're using it to play in their sandbox. A lot of creators want to make the comics equivalent of The Rock; there's nothing wrong with that, but if you want another Watchmen, you have to try to make Drive (I was going to say something about how Drive uses nudity and violence as opposed to most comics, but that's a whole 'nother post).
In fact, the last attempt I'm really aware of was Superman: Power-Walking, which was A. Shit and B. more concerned with what the plot said about the character of Superman than what the character of Superman said about the plot, if you get my drift. There's not a lot of "oh, a thing's happening in Somalia, I can use the character of Superman to express an opinion" so much as "here's something I can say about Superman: he really hates it when people he likes die."