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Jan. 27th, 2015 11:28 pmAs I said, as I revise and edit this vampire story of mine, I’ll be going over that process both here and Patreon, although I’m saving most of the ‘Collector’s Edition Blu-Ray’ kinda stuff for the Patreon. Hey, fish gotta swim, birds gotta eat. So consider this a free preview.
Now, from conversations with my editor, we’re in agreement that most of the fat to be trimmed is gonna come from the first act. Blame it on the Aspergers, but I’ve got sort of a ‘When Are They Going To Get To The Fireworks Factory?’ kinda rule. So, why should we spend so much time on these two characters’ relationship when one of them’s going to become a vampire and that’s gonna hit the reset button on their relatsch anyway? Because they’re both attractive women No reason!
So this is the first scene that both me and le editor (ze editor?) singled out for the cutting room floor. Basically, the pre-vampire stuff was running so long that I wanted to throw in a scary bit as a bit of foreshadowing; “Fireworks Factory In Twenty Miles’. And it’s not just a Lost thing where it’s creepy for the sake of creepy, it’s tied into the plot.
The problem being, by the time it actually comes into play and is explained, I think most people will have forgotten it. It’s like “oh, you’re telling us NOW what that was all about? They were both STRAIGHT when that happened!” So, since we’re hurrying to the scary stuff anyway, we don’t need any proto-scary stuff, and the bit is gone. It’s still a fun little scene though, got that right NOOOOOOOOOOOPE reaction from the people I showed it too, it’s just not quite right for this story.
(Hey, anyone remember when movies would do teasers that were just shot for the ad campaign and didn’t actually happen in the movie? Weren’t those fun, since they didn’t give anyway away, but they still told you what you were in for? Think of this as that.)
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